Lieder:Kein Held: Unterschied zwischen den Versionen
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Zeile 151: | Zeile 151: | ||
} | } | ||
− | \markup { | + | \markup { \fill-line { |
+ | \column { | ||
Am \override #'(fret-diagram-details . ( | Am \override #'(fret-diagram-details . ( | ||
(finger-code . below-string) | (finger-code . below-string) | ||
Zeile 159: | Zeile 160: | ||
\fret-diagram-terse #"x;o;2-2;2-3;1-1;o;" | \fret-diagram-terse #"x;o;2-2;2-3;1-1;o;" | ||
} | } | ||
+ | } | ||
+ | \column { | ||
C \override #'(fret-diagram-details . ( | C \override #'(fret-diagram-details . ( | ||
(finger-code . below-string) | (finger-code . below-string) | ||
Zeile 166: | Zeile 169: | ||
\fret-diagram-terse #"x;3-3;2-2;o;1-1;o;" | \fret-diagram-terse #"x;3-3;2-2;o;1-1;o;" | ||
} | } | ||
− | D\super{sus2} \override #'(fret-diagram-details . ( | + | } |
+ | \column { | ||
+ | \concat {D\super{sus2}} \override #'(fret-diagram-details . ( | ||
(finger-code . below-string) | (finger-code . below-string) | ||
(dot-radius . 0.35) | (dot-radius . 0.35) | ||
Zeile 173: | Zeile 178: | ||
\fret-diagram-terse #"x;x;o;2-1;3-2;o;" | \fret-diagram-terse #"x;x;o;2-1;3-2;o;" | ||
} | } | ||
+ | } | ||
+ | \column { | ||
G \override #'(fret-diagram-details . ( | G \override #'(fret-diagram-details . ( | ||
(finger-code . below-string) | (finger-code . below-string) | ||
Zeile 180: | Zeile 187: | ||
\fret-diagram-terse #"3-3;2-2;o;o;o;3-4;" | \fret-diagram-terse #"3-3;2-2;o;o;o;3-4;" | ||
} | } | ||
− | F\super{9} \override #'(fret-diagram-details . ( | + | } |
+ | \column { | ||
+ | \concat {F\super{9}} \override #'(fret-diagram-details . ( | ||
(finger-code . below-string) | (finger-code . below-string) | ||
(dot-radius . 0.35) | (dot-radius . 0.35) | ||
Zeile 187: | Zeile 196: | ||
\fret-diagram-terse #"x;x;3-3;2-2;1-1;3-4;" | \fret-diagram-terse #"x;x;3-3;2-2;1-1;3-4;" | ||
} | } | ||
− | C\super{ | + | } |
+ | \column { | ||
+ | \concat {C\super{9_12}} \override #'(fret-diagram-details . ( | ||
(finger-code . below-string) | (finger-code . below-string) | ||
(dot-radius . 0.35) | (dot-radius . 0.35) | ||
Zeile 194: | Zeile 205: | ||
\fret-diagram-terse #"x;3-3;2-2;o;1-1;3-4;" | \fret-diagram-terse #"x;3-3;2-2;o;1-1;3-4;" | ||
} | } | ||
− | } | + | } |
+ | } } | ||
\score { | \score { |
Version vom 27. Juli 2019, 11:46 Uhr
![\paper {
print-page-number=##f
}
\header{
title="Held"
subtitle="(nach Hurt von Johnny Cash)"
poet="Text: Volker S."
composer="Melodie: Trent Reznor"
tagline="Herkunft: www.garetien.de - Music engraving: LilyPond"
}
myMusic= {
<<
\context ChordNames {
\set chordChanges=##t
\chordmode {
\set Staff.midiInstrument="acoustic guitar (nylon)"
\germanChords
a1:m c2 d2:sus2
a1:m c2 d2:sus2
a1:m
\repeat volta 4 {
c2 d2:sus2 a1:m
}
\alternative {
{ c2 d2:sus2 a1:m }
{ c2 d2:sus2 g1 }
}
a1:m
f1:9
c1:12
g1
a1:m
f1:9
c1:12
g1
a1:m
f1:9
g1
g1
a1:m
f1:9
g1
a1:m
}
}
\relative {
\key a \minor
\time 4/4
\tempo 4=100
\set Staff.midiInstrument="Fiddle"
r1 r1
r1 r1 r2.
e''4
\repeat volta 4 {
g8 e4 d2 c8 e2. r8 a,8
}
\alternative {
{ c8 c4 c4. d4 e2. e4 }
{ c8 c4 d4. g,4 g4 r2. }
}
g'8 e4 d4. c8 c8~ c2 r2
r4 c4 d8 c4. d2 r2
e8 e4 e4 c4 c8~ c4
r4 c4 c8 c8~ c4
r4 d4 g,8 g8~ g4
r2 r8 c8 d8 c4 e4. c8 c8~ c2
r2 c4 c4 c4. g8 d'2
r2 e8 e4 e4 c4 c8~ c2
r2 d8 d4 d4. g,4 a2 r2
}
\addlyrics {
\set stanza = "I: "
Der Sohn des Fei- de- walds
die Lan- ze hob zum Stoß. Die
}
\addlyrics {
\skip 1 Rit- ters- toch- ter traf,
Tsas Se- gen reift im Schoß. Ver-
}
\addlyrics {
\skip 1 gel- tung ward ge- schwor'n,
Bu- hurt im Erl- gards- feld. So
}
\addlyrics {
\skip 1 man- cher ging da- hin,
doch \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 kei- ner wurd' ein Held.
\set stanza = "Refrain: "
Rit- ter- tum ver- geht,
der Ra- che Sieg,
Hart- steen Reichs- forst Schlund,
wit- tern Tod, schrei- en Krieg.
Es blu- tet im- mer noch, schö- nes Erl- gards- feld.
Lasst Ihr wer- det nur, Schläch- ter und kein Held.
}
\relative {
\key a \minor
\time 4/4
\tempo 4=100
\set Staff.midiInstrument="acoustic guitar (nylon)"
a8 e'8 a2. c,8 \segno e8 c'4 d,8 a'8 d4
a,8 e'8 a2. c,8 e8 c'4 d,8 a'8 d4
a,8 e'8 a2.
\repeat volta 4 {
c,8 e8 c'4 d,8 a'8 d4 a,8 e'8 a2.
}
\alternative {
{ c,8 e8 c'4 d,8 a'8 d4 a,8 e'8 a2. }
{ c,8 e8 c'4 d,8 a'8 d4 g,4 g4 g4 g4 }
}
a4 a4 a4 a4
g4 g4 g4 g4
g4 g4 g4 g4
g4 g4 g4 g4
a4 a4 a4 a4
g4 g4 g4 g4
g4 g4 g4 g4
g4 g4 g4 g4
a4 a4 a4 a4
g4 g4 g4 g4
g4 g4 g4 g4
g4 g4 g4 g4
a4 a4 a4 a4
g4 g4 g4 g4
g4 g4 g4 g4
a8 e'8 a2.-\markup {
\italic "D.S. "
\tiny \raise #1
\musicglyph #"scripts.segno"
}
}
>>
}
\markup { \fill-line {
\column {
Am \override #'(fret-diagram-details . (
(finger-code . below-string)
(dot-radius . 0.35)
(dot-position . 0.5)
(fret-count . 3))) {
\fret-diagram-terse #"x;o;2-2;2-3;1-1;o;"
}
}
\column {
C \override #'(fret-diagram-details . (
(finger-code . below-string)
(dot-radius . 0.35)
(dot-position . 0.5)
(fret-count . 3))) {
\fret-diagram-terse #"x;3-3;2-2;o;1-1;o;"
}
}
\column {
\concat {D\super{sus2}} \override #'(fret-diagram-details . (
(finger-code . below-string)
(dot-radius . 0.35)
(dot-position . 0.5)
(fret-count . 3))) {
\fret-diagram-terse #"x;x;o;2-1;3-2;o;"
}
}
\column {
G \override #'(fret-diagram-details . (
(finger-code . below-string)
(dot-radius . 0.35)
(dot-position . 0.5)
(fret-count . 3))) {
\fret-diagram-terse #"3-3;2-2;o;o;o;3-4;"
}
}
\column {
\concat {F\super{9}} \override #'(fret-diagram-details . (
(finger-code . below-string)
(dot-radius . 0.35)
(dot-position . 0.5)
(fret-count . 3))) {
\fret-diagram-terse #"x;x;3-3;2-2;1-1;3-4;"
}
}
\column {
\concat {C\super{9_12}} \override #'(fret-diagram-details . (
(finger-code . below-string)
(dot-radius . 0.35)
(dot-position . 0.5)
(fret-count . 3))) {
\fret-diagram-terse #"x;3-3;2-2;o;1-1;3-4;"
}
}
} }
\score {
\myMusic
\layout { }
}
\score {
\unfoldRepeats
\myMusic
\midi { }
}](/images/lilypond/2/4/24u58ozi2wvheylz8du93tl3y02alcu/24u58ozi.png)