Lieder:Kein Held: Unterschied zwischen den Versionen

Version vom 27. Juli 2019, 14:14 Uhr

$\paper { print-page-number=##f } \header{ title="Kein Held" subtitle="(nach \"Hurt\" von Johnny Cash)" poet="Text: Volker S." composer="Melodie: Trent Reznor" tagline="Herkunft: www.garetien.de - Music engraving: LilyPond" } myMusic= { << \context ChordNames { \set chordChanges=##t \chordmode { \set ChordNames.midiInstrument="acoustic guitar (nylon)" \germanChords a1:m c2 d2:sus2 a1:m c2 d2:sus2 a1:m \repeat volta 4 { c2 d2:sus2 a1:m } \alternative { { c2 d2:sus2 a1:m } { c2 d2:sus2 g1 } } a1:m f1:9 c1:5.7.10 g1 a1:m f1:9 c1:5.7.10 g1 a1:m f1:9 g1 g1 a1:m f1:9 g1 a1:m } } \relative { \key a \minor \time 4/4 \tempo 4=95 \set Staff.midiInstrument="clarinet" \clef violin r1 r1 r1 r1 r2. e'4 \repeat volta 4 { g8 e4 d2 c8 e2. r8 a,8 } \alternative { { c8 c4 c4. d4 e2. e4 } { c8 c4 d4. g,4 g4 r2. } } g'8 e4 d4. c8 c8~ c2 r2 r4 c4 d8 c4. d2 r2 e8 e4 e4 c4 c8~ c4 r4 c4 c8 c8~ c4 r4 d4 g,8 g8~ g4 r2 r8 c8 d8 c4 e4. c8 c8~ c2 r2 c4 c4 c4. g8 d'2 r2 e8 e4 e4 c4 c8~ c2 r2 d8 d4 d4. g,4 a2 r2 } \addlyrics { \set stanza = "I: " Der Sohn des Fei- de- walds die Lan- ze hob zum Stoß. Die } \addlyrics { \skip 1 Rit- ters- toch- ter traf, Tsas Se- gen reift im Schoß. Ver- } \addlyrics { \skip 1 gel- tung ward ge- schwor'n, Bu- hurt im Erl- gards- feld. So } \addlyrics { \skip 1 man- cher ging da- hin, doch \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 kei- ner wurd' ein Held. \set stanza = "Refrain: " Rit- ter- tum ver- geht, der Ra- che Sieg, Hart- steen Reichs- forst Schlund, wit- tern Tod, schrei- en Krieg. Es blu- tet im- mer noch, schö- nes Erl- gards- feld. Lasst Ihr wer- det nur, Schläch- ter und kein Held. } \relative { \key a \minor \time 4/4 \tempo 4=100 \set Staff.midiInstrument="acoustic guitar (nylon)" \clef bass a,8 e'8 a2. c,8 \segno e8 c'4 d,8 a'8 d4 a,8 e'8 a2. c,8 e8 c'4 d,8 a'8 d4 a,8 e'8 a2. \repeat volta 4 { c,8 e8 c'4 d,8 a'8 d4 a,8 e'8 a2. } \alternative { { c,8 e8 c'4 d,8 a'8 d4 a,8 e'8 a2. } { c,8 e8 c'4 d,8 a'8 d4 g,4 g4 g4 g4 } } a4 a4 a4 a4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 a4 a4 a4 a4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 a4 a4 a4 a4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 g4 a4 a4 a4 a4 g4 g4 g4 g4 g4 g4 g4 g4 a8 e'8 a2.-\markup { \italic "D.S. " \tiny \raise #1 \musicglyph #"scripts.segno" } } >> } \markup { \fill-line { \column { Am \override #'(fret-diagram-details . ( (finger-code . in-dot) (dot-color . white ) (dot-radius . 0.35) (dot-position . 0.5) (fret-count . 3))) { \fret-diagram-terse #"x;o;2-2;2-3;1-1;o;" } } \column { C \override #'(fret-diagram-details . ( (finger-code . in-dot) (dot-color . white ) (dot-radius . 0.35) (dot-position . 0.5) (fret-count . 3))) { \fret-diagram-terse #"x;3-3;2-2;o;1-1;o;" } } \column { \concat {D\super{sus2}} \override #'(fret-diagram-details . ( (finger-code . in-dot) (dot-color . white ) (dot-radius . 0.35) (dot-position . 0.5) (fret-count . 3))) { \fret-diagram-terse #"x;x;o;2-2;1-1 3-3;o;" } } \column { G \override #'(fret-diagram-details . ( (finger-code . in-dot) (dot-color . white ) (dot-radius . 0.35) (dot-position . 0.5) (fret-count . 3))) { \fret-diagram-terse #"3-3;2-2;o;o;o;3-4;" } } \column { \concat {F\super{9}} \override #'(fret-diagram-details . ( (finger-code . in-dot) (dot-color . white ) (dot-radius . 0.35) (dot-position . 0.5) (fret-count . 3))) { \fret-diagram-terse #"x;x;3-3;2-2;1-1;3-4;" } } \column { \concat {C\super{7\hspace #1 10}} \override #'(fret-diagram-details . ( (finger-code . in-dot) (dot-color . white ) (dot-radius . 0.35) (dot-position . 0.5) (fret-count . 3))) { \fret-diagram-terse #"x;3-3;2-2;o;1-1;3-4;" } } } } \score { \myMusic \layout { } } \score { \unfoldRepeats \myMusic \midi { } }$